AUTOPOIESIS (2021)

about me

PhD philosopher of tech, exploring the boundary where systems become beliefs.

i research AI and decentralized networks as epistemic machines: prediction markets that price hypotheses, identity mechanisms that decide who counts, and governance layers that translate uncertainty into action. my work connects philosophy, cryptoeconomics, and real-world protocol design—treating verification as both a technical problem and a cultural one.

i make art about embodiment inside computation: friction, vulnerability, and the intimacy of oppositions—organic/synthetic, soul/body, self/other. my practice spans text, 35mm photography, lo-fi printing, 3D digital painting, oil, experimental music.

RESEARCH

Constellations

• Emerging tech & philosophy — power, care, decentralization

• DeScAI — scientific markets, verification, epistemic governance
• Biometrics & identity — proof of personhood, Sybil resistance
• Blockchain & culture — creative industries, art and value

• DeFi & cryptoeconomics — incentives, mechanism design

Recent text

>Systems
• DeScAI: The Convergence of Decentralized Science and Artificial Intelligence (2025)
• Futarchy in Decentralized Science: empirical and simulation evidence for outcome-based conditional markets in DeSci DAOs (2025)
• Episteme whitepaper (2025)

• Proof of Life, Proof of Self: Biometric Liveness Detection for Decentralized Identity Systems (2025)

>Essays
• batAIlle: On acephalic intelligence & the general economy of computation (2026)
• Lethe Machina (2026)
• Acephaly: Toward a Philosophy of Distributed Power, Knowledge, and Care (2025)
• Glossolalia Against the Model: Artaud, AI, and the Limits of Language (2025)

• Mythotechnics: AI Between Monster, Maze, and Mirror (2025)

→ Research / Selected writing / Talks

shot from blue lips (from cotton candy) video, 2017

VIDEO ART

shot from blue lips (from cotton candy, 2017

lo-fi ritual / mediated intimacy

//WHERE SYSTEMS BECOME BELIEFS, AND BODIES BECOME INTERFACES.

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PHOTOGRAPHY

งูเห่า, 2020
soft surveillance / self as witness

What we do

DIGITAL ART

discouple 0.1, 2021
synthetic intimacy / protocol romance

SCULPTURE

felidae, 2023
animality / softness / signal

GEORGIA - O'KEEN (2021)

OIL PAINTING

INTERPASSIVITY
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DISCOuple (2021)

in this collection, i splice and glue human forms, endeavoring to unveil the motive of constant human interdependence and reliance on 'the constitutive other' (in philosophical terms). the artwork "nupta cadavera" references an ancient etruscan torture where the living were bound to the dead, face to face. aristotle interpreted this as a metaphor for human life, for soul-body interconnection. by employing this motif, i seek to express a longing for absolute connectivity, wherein the dichotomy between soul and body, self and other, ultimately collapses.

the living and the dead at his command,

were coupled, face to face, and hand to hand,

till, chok’d with stench, in loath’d embraces tied,

the ling’ring wretches pin’d away and died.

– virgil, the aeneid, VIII 483-88.